In this exercise we ( as a class practiced )making adjustments to the contrast, hue and saturation of the scanogram. The methods utilized in this exercise are basic, that is, they are less specific than professional methods for color correction. However, the scanogram creates an image with great density in the shadow areas and overexposed highlights. The range of mid-tone values is usually discreet. As a result, these basic adjustments are easily seen and properly utilized on this type of image file. In this exercise, how the image “feels” is more significant than the details in the specific highlight and shadow areas. Advanced image adjustments are explored in chapters 8 and 9.

To practice this you will need to have this tiff file:

flower.tiff

1. To start, crop the image so that it is exactly 3 by 4 inches. Click on the Crop Tool in the Tool Palette, then use the Options Palette to set the Crop Tool to make a crop at exactly 3 by 4 inches. Click and drag with the Crop Tool over the image. When most of the image is selected, as in our illustration below, click Return or Enter on your keypad to finalize the crop.

2. Double-check the width, height and resolution in the Image Size dialog box.

File:Fig07 Ex4 02 CS6.png

3. Click Image > Auto Contrast to automatically adjust the contrast within the image file.

File:Fig07 Ex4 03 CS6.png

Before

After

Press CMD+Z on the keypad to “undo” the last step. Press CMD+Z again and Photoshop "redoes" the last step. In Illustrator, CMD+Z continuously undoes previous steps. In Photoshop, the History Palette serves this purpose. We'll explore the History Palette in the next few steps.

Tip: The menu item for "Undo" is Edit > Undo. It is almost not even worth mentioning as you are best off knowing the hotkeys for this important Photoshop command.

5. Click on the Brush tool and make five random marks with it on the image. Press CMD+Z two times and you will still have five random brush marks on top of the scanogram.

The Brush Tool is selected in the Tool Palette. The Brush Options can be used to select a brush size, a hard or soft edge on the brush, and the opacity of the hue that the brush draws (look towards the top right area of the Brush Tool Options).

6. Click on the History Palette (Window > History) and notice that it says, "Brush Tool" for each of the times that the paintbrush was used. Click once on each step in order to travel backwards through time. Just clicking on the step is “enough,” that is, nothing needs to be clicked in order to confirm that this is where you want to start working – just, start working and a new step will be recorded in the History Palette. Click on the step in the History Palette that restores the image to the point after Auto-Contrast was applied

In the History Palette, clicking on the step just above the five brush strokes, on "Auto Contrast" is the way to undo those five brush strokes.

7. Click Image > Adjustments > Hue/Saturation. This adjustment changes the layer’s hue, the intensity or saturation level of the hue and the value of the hues within the image. To create an overall wash of color or monotone effect, click on the “Colorize” button at the bottom right of the dialog box. Changes made to the hue (by dragging the hue slider) will become easily apparent.

The Hue/Saturation adjustment is used to create a monotone wash over the image. Here the image takes on a sepia tone, similar to a traditional photographic bath used to cast a warm tone on the image.